![]() Sharply struck coins often command substantial premiums. Most dates, however, come weakly struck, particularly on Liberty’s left hand and leg, head and skirt lines and on the eagle’s breast and leg feathers. Even above that level, significant numbers exist for certain dates, particularly the later years. Many exist in grades up to Mint State-65. As a result, they hold great appeal not only for traditional hobbyists but also for non-collectors. “Walkers,” as they’re frequently called, are large, precious metal coins with a much-admired design. ![]() Brilliant proofs were minted from 1936 to 1942, totaling 74,400 pieces, and a very few satin-finish proofs were struck in 1916 and ‘17. Other scarce issues include the 1916, 1916-S, 1917-D and S (with the mintmarks on the obverse) and 1938-D. Mintages were particularly low in 1921, and the P, D and S half dollars from that year all rank among the major keys of the series. These were coins with substantial buying power, enough to buy a loaf of bread, a quart of milk and a dozen eggs in the early ‘30s, so it didn’t take huge quantities to fill Americans’ needs, especially after the Wall Street crash plunged the nation into the Great Depression. Over 485 million Walking Liberty halves were made between 19, but they were issued only sporadically during the 1920s and early ‘30s, none being minted in 1922, 1924-32. Partway through production in 1917, the mintmarks’ location was moved to the lower left of the reverse, just below the sapling, and that’s where it remained until the series ended in 1947. The New York Sun, for instance, pronounced it a “lively” coin, typifying “hustle,” while the Boston Herald said it had a “forward look on its face.”įirst-year coins from the branch mints in Denver and San Francisco carry the “D” or “S” mintmark on the obverse, below IN GOD WE TRUST, as do some pieces minted the following year. Even so, the Mint delayed release of the new Walking Liberty coin until late November. Unlike the other two Barber coins, the Barber half dollar wasn’t produced in 1916. Weinman placed his initials (AW) directly under the eagle’s tail feathers. ![]() These strongly patriotic themes resonated perfectly across a nation then preparing to enter World War I, ironically against the land of Weinman’s birth. The reverse depicts a majestic eagle perched on a mountain crag, wings unfolded in a pose suggesting power, with a sapling of mountain pine-symbolic of America-springing from a rift in the rock. ![]() He honed his skills as a student of the famed Augustus Saint-Gaudens and, by 1915, he was widely acclaimed as one of the nation’s finest sculptors.įor the obverse of his design, Weinman chose a full-length figure of Liberty striding toward the dawn of a new day, clad in the Stars and Stripes and carrying branches of laurel and oak symbolizing civil and military glory. Weinman was born in Germany but came to the United States at the age of ten in 1880. It’s hard to imagine how Polasek or anyone else could have improved on the winning entries, though, for all three of the new coins-the Mercury dime, Standing Liberty quarter and Walking Liberty half dollar-are magnificent coinage artworks.Ī. The Mint may not have planned it this way, but Weinman ended up getting two of the three coins, the dime and half dollar, with MacNeil getting the quarter and Polasek being shut out. Weinman, all of New York City-to prepare designs for the three silver coins, apparently with the intention of awarding a different coin to each artist. In 1915, he invited three noted sculptors-Hermon A. Woolley showed his satisfaction by going outside again. Mint had furnished new designs for the six previous changes, and Mint Director Robert W. Outside artists not on the staff of the U.S. And now, in 1916, three more old-style coins-the Barber silver coins-were heading for the sidelines as well. coins, supplanting the serene, sedate 19th-century portraits that preceded them. Within the previous decade, exciting new designs had debuted on six different U.S. Major changes were taking place in United States coinage, too. domestic tranquility to foreign entanglement. It was a time of transition: from horse and buggy to horseless carriage. The year was 1916, and America was a nation in ferment. Mack Sennett’s Keystone Kops were making millions laugh in the nation’s movie houses, while New York’s Wally Pipp was home-run king in baseball’s American League. Thomas Woodrow Wilson narrowly won re-election as 28th president of the United States, campaigning on the slogan, “He kept us out of war!” Within a few months, American troops would be heading for Europe after all.
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